| Formulas that work - Portraiture | |||||||||||
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| Focus on the eyes | |||||||||||
| For any subject be it landscape,
architecture or a candid shot, you
need a strong visual focal point for the viewer to look at and further
hold the attention. In case of portraits this is usually the eyes. Direct eye contact is a good way of making someone look at the picture. Make sure that the eyes in this case are absolutely sharp. Which is why it is important to always focus on the eyes so that even when you are shooting with very shallow depth of field you are sure that atleast your eyes are in sharp focus. Eyes convey a lot about the character and the mood of the person. Whatever are the expressions, these are conveyed from the eyes. If you are shooting portraits you may activate the aproprite focusing point in the camera which overlaps the eyes. ![]() |
Shooting
Mode Shutter-Priority AE Tv( Shutter Speed ) 1/125 Av( Aperture Value ) 4.5 Metering Mode Evaluative Metering Exposure Compensation 0 ISO Speed 100 Lens EF70-200mm f/4L USM Focal Length 200.0 mm Image Size 4368x2912 Image Quality RAW Flash Off |
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Choose the Ideal focal length for the portraits. |
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| 85mm has generally been
considered as one of the best focal lengths for portraits as it gives
very flattering perspective and allows the photographer to be at a good
shooting distance from the subject. Although you may use longer focal
lengths but do not use wide angles to shoot portraits as it causes a
lot of distortion throwing the nose, eyes, ears and shoulder out of
proportion with each other. You may consider investing in a good 85mm
or 135mm prime portrait lens if you do a lot of portrait work. Prime
lenses are always better than zooms as far as sharp optics and maximum
apertures are concerned which is usually desirable to keep a the
background out of focus in portraits. |
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| The right viewpoint for portraits | |||||||||||
| How the subject appears in your
photograph depends on your viewpoint which could be at the eye level,
lower or higher. There is no right or wrong but it all depends on the
split second decision which you take as you look at your
subject’s face through the viewfinder. Shoot from where the
person looks at his or her best or you may shoot from the viewpoint
which reveals the persons characteristics you are trying to portray
through your photograph. For example to avoid a double chin, you may
shoot from a higher viewpoint and to make a long nose less prominent
you may choose a lower viewpoint. However it all depends on your
personal judgment and observation. Also shooting from a higher
viewpoint may show your subject as a submissive character and a lower
viewpoint shows the same subject as dominant. |
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![]() | The subject is not looking into the camera and has been shot from a lower viewpoint to o along with the mood of the shot. | ||||||||||
| Are the surroundings right? | |||||||||||
| Everything that shows in a
picture counts and adds to your efforts or works against the shot. So
do kep an eye on the background and the surroundings of your subject. A
common man may not be able to make out but the ambiance and the
surroundings adds to his liking or disliking for the picture at the
subconscious level. Besides the surroundings it is also important to
use appropriate jewellery, accesories, settings, location, which go
well with the mood and character of the portrait. |
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| Bold colours | |||||||||||
| Bold colours almost never go
wrong. We do get attracted by a bold red, blue or any other colour for
that matter. This could be a part of the subjects outfit or the
background and the surroundings. However, be careful that strong colors
can add to the photograph and if not rightly positioned might end up as
a distraction from your main visual, overpowering what you intended to
convey through your picture. Colors should work together. A red outfit
may look attractive but a little red spot in the background may look as
a distraction. Although you may make the picture as colourfull as you
want but at times too many strong colors may end up in a conflict for
attention. Experiment to see which all colours work well together |
more about Vibrant colors | ||||||||||
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whether it is the red of background or the yellow of the outfit , the striking bold colors almost never go wrong. | ||||||||||
| Include elements to convey the subjects character. | |||||||||||
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| Include what characterizes the
subject in your portrait. It may be a hat, a cigar, a car, knitting
kit, golf stick or a book. This reveals a lot about the character of
the person and also makes him/her comfortable as he or she poses for
the picture. It is the environment which further adds to the picture
and the subject has something to do with his hands. Also enables you to
suggest poses which are natural for the subject and to his taste and
style. |
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| Be ready for the candid shots. | |||||||||||
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As mentioned earlier, keep it simple. Rather than fiddling with too many technicalities concentrate on your subject and look out for opportunities to shoot at the right moment when the subject is what he or she is and at its naturally best. The results can be most unpredictable, spontaneous, surprising and outstanding. This is generally possible if you are always ready to shoot and keep an eye on the subject even inbetween shots when the subject is not expecting you to click. |
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![]() | When photographing kids, be always ready as you never know when you get something interesting. | ||||||||||
| what | |||||||||||
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Although not a a portrait but
the photograph was shot at just the right momment |
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Where are the hands? |
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| When being photographed we generally do not know what to do with our hands. A good photographer should be able to suggest how to pose the hands which adds to the overall effect. A flat hand facing the camera may look too prominant and aukward where as a slight curve and side may add elegance but keep in mind if you are shooting man or a woman. Hands can look ugly as well as beautiful depending on the way you position them. A womans hands should be posed in a manner that they look delicate where as a mans hands should add strength to his persona. Study various ways people keep their hands and suggest your subject accordingly | |||||||||||
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| Isolate the subject- |
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good portrait should stand out and by opting for a shallow depth of
field you can achieve that best. At times you may have a foreground as
well in a photograph besides the background. The foreground may lead
the eye to the main subject or may frame the main subject. However, it
should not overpower the subject. Keep it out of focus r relatively
less sharp so that only your subject stands out. |
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Although the background is the green foliage but due to long lens and opened aperture is rendered in a nice bokeh giving more emphasise on the subject. | ||||||||||
| Do not restrict your portraits just to the face. | |||||||||||
| Include more than just the face in a portrait. generally people think of portrait to be a head and shoulder shot. however portrait is something which portrays. it ceratinly can be a wider shot with more elements which add on to the portrayel of the subject. | |||||||||||
| Shoot variations | |||||||||||
| Shoot more, not to mis out on anything. Small variations can make a huge difference to the mood of the photograph |
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Shot within seconds of each other, both the photographs convey a different feel. the only difference being in the eyes. | ||||||||||
| Add Drama | |||||||||||
![]() | Be Dramatic with your pictures. If your subject is game go ahead and shoot your ideas which go well with the personality of the subject. people do not alwas want to see staright boring shots but look out for something inetersting and different. Also shoot a lot of variations as you may want to choose later the best oprion. | ||||||||||
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